11/2/2022 0 Comments Prabhu Nepal Tamil Serials List![]() ![]() Our first film together – Lee – was like that. Not just my career, Prabhu sir’s too, Imman adds happily. The perception was that I could only do a certain kind of music.” “By choosing to sign on films of a certain genre, I’d become pigeonholed. What irked Imman about this though, was that he wasn’t approached to be a part of any. The change was a healthy one, and came at a time when action thrillers were dime a dozen. Realistic cinema was slowly gaining popularity among the masses. Every success that I was a part of made me less insecure and more confident.”Īround this time, Imman began to notice a shift in the kind of films that were being made. I think that’s what I was most concerned about at the time. Then followed a string of films with Arjun and Sundar C. I could finally work in peace, now that the bad phase was over.” “The film was a hit in B & C centres and the Dai Kaiyaa Vechukittu song in particular became a huge success. Giri’s success gave Imman the much needed breather. “A project associated with my name would never make it to the finish line, I thought,” he gives a watery smile, “when I think about it now, it seems funny, but at that time, it was a blow to my morale.” It had a deep psychological impact on Imman, and he grew apprehensive. I suffered through this for around nine films.” “I’d compose 1-2 songs for a film, the shooting will begin, and it will get dropped. ![]() The projects he subsequently signed either got ‘dropped’, or ‘flopped’ miserably. Appo avlo dhaan naan.”ĭistressingly enough, the pattern continued. “I drew comfort from the fact that I could always go back to playing the keyboard for some music director. My work was noticed, but it was the time when O Podu from Gemini was very popular.” But the film didn’t do too well at the time. He said that his next film with Vijay sir would be my comeback project. “GV sir was very impressed with my songs. Producer G Venkateswaran, having listened to Imman’s work, invited him over for a meeting. I knew God would give me another chance.” #Prabhu Nepal Tamil Serials List serial#I had serial work to fall back on though. #Prabhu Nepal Tamil Serials List movie#“But the movie never released,” Imman adds grimly, “tough luck, of course. The project – Kaadhale Swasam – starring Karthik and Meena – saw a grand audio launch. ![]() “Since I was working on almost all of their projects, Padmini ma’am had no choice but to take me along,” he chuckles. It marked his debut in composing for movies. Around that time, Kutty Padmini ventured into film production, and took Imman along for the ride. ‘Title isai’ by Imman.Īnd, it eventually propelled him to seek other pastures. Every day at 7 pm, my name would flash onscreen. It wasn’t challenging.ĭon’t get me wrong, I loved working on all of those projects. “The work I did was steady, but monotonous. Very soon though, a sense of disquiet began to seep in, he recalls. Oru factory maari poitte irundhen, he says. Imman would then go on to compose the background score for over 5000 episodes and the title track for 80 serials. Kolangal, Police Diary, Mandhira Vaasal and Thirumathi Selvam soon followed.” It caught on with people and established me in the music circuit. The catchy tunes appealed to the duo and Imman found himself with a new job – composing music for the television. I decided to make private albums and it was that decision which changed my life.”Ī copy of his album found its way to the office of Kutty Padmini & Prabhu Nepal, who were big in the television serial circuit at the time. Both of them, in a way, pushed me to branch out on my own. “I was a keyboard programmer for them and did regular work in their films. While his peers were feverishly preparing for their board exams, Imman was working with the likes of Nammavar Mahesh and Adithyan. He then begins to talk, amid a strange blue light that pulsates from the console.ĭ Imman found himself in the spotlight at a very young age. As Imman spots me though, the screen promptly goes blank. In the dimly lit recording studio (which smells divine by the way – a lovely hint of citrus and mint), he is lending finishing touches to a song, the lyrics of which flash onscreen for an instant. Three storeys above, D Imman is busy composing for his next project when I walk in. “Sir is upstairs only,” a security guards offers helpfully. Imman’s Sound Factory nestles in a quiet neighbourhood in Virugambakkam. It takes a few sharp twists and turns to arrive at his office.Īlmost everyone on the road nods sagely when I ask after the address. ![]()
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